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3) follows the social awakening of a photojournalist when he covers the tokhang beat. “I would like to offer my films to help people see what is happening around us,” he said. Altarejos - who directed the 2014 Cinemalaya Best Film Kasal, Tale of the Lost Boys (2017), and Unfriend (2014), among others - aims to create films that educate and inspire his audience to become more vigilant and conscious of the country’s social issues. “It deals with the psychology of the abused and the abuser in the cycle of violence,” said director Joselito Altarejos.Īs an advocate of “Cinema of the Social Consciousness,” Mr.
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The film stars Oliver Aquino, Elora Españo, Richard Quan, Anelle Durano, Suzette Doctolero, Natileigh Sitoy, Anjo Resureccion, and Jill Urdaneta. But what was supposed to be a beautiful relationship turns into a traumatic reunion. Feelings rekindled they start living together. It follows high school sweethearts who lost touch with each other after graduation and meet again after 10 years. 22 to 28) deals with a tragedy that feeds on love and co-dependency, and the cycle of abuse and violence. Love and Pain In Between Refrains (premiering Aug. The film is an examination of his thought process,” Mr. “During their meeting, questionable things transpired. The film stars Elijah Canlas, Enzo Pineda, Pearl Lagman, Migs Campanilla, Lara Fortuna, Gio Gahol, Marnie Lapus, and Iman Ampatuan.ĭuring an online press conference earlier this week via Zoom, the film’s director, Jason Paul Laxamana, said that the film is semi-autobiographical and based on his personal experience as a broadcast journalism student who met one of the broadcasters he admired. Through the conversations with friends, he comes to terms with the idea that his idol - a dignified newsman who is supposed to be a paragon of virtue - is not who he appears to be on television. In the days that follow the encounter, the young student shares with his friends three separate versions of what transpired.
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15 to 21) follows what transpired during a chance meeting between a broadcasting student and the TV reporter he idolizes. He Who is Without Sin takes (premiering Aug. The film stars Dax Alejandro, Mara Lopez, Henyo Ehem, Rowena Caballes, Jea Lyka Cinco, Johnny Hager, Buggy Amplayo, Jun Alcover, Bong Artil and Ferdinand Mesias. It is a journey of redemption, closure, and healing. 7 to 14) follows a man who decides to follow through with his family’s plan to climb Mount Apo after losing his wife and son. The four films are the family drama Highest Peak, directed by Arnel Barbarona the drama He Who is Without Sin, directed by Jason Paul Laxamana neo-noir film Love and Pain In Between Refrains, directed by Joselito Altarejos and the social monologue Tao Po, directed by Mae Paner (also known as Juana Change). The feature films will be screening for the duration of the festival, Aug. The Cinemalaya Philippine Independent Film Festival - an all-digital film festival and competition “that aims to discover, encourage and honor cinematic works of Filipino filmmakers” - is a project of the Cultural Center of the Philippines (CCP) and the Cinemalaya Foundation, Inc.Īlongside the screening of the 13 competing short films, Cinemalaya this year presents the Premieres section, featuring four never before seen feature films by Filipino filmmakers. It is planned that the feature films in competition will be shown next year. The pandemic has also resulted in this year’s edition focusing on short films for the competition section, to give more time to the feature films to be made under current constraints. THE TESTIMONIES of people affected by extrajudicial killings (EJK), a couple in a turbulent relationship, a media studies student who meets his most admired broadcaster, and a story of a family man who climbs to the peak of the mountain while recovering from a traumatic experience are among the non-competition highlights in this year’s Cinemalaya Philippine Independent Film Festival.ĭue to the coronavirus disease 2019 (COVID-19) pandemic, the 17 th edition of Cinemalaya migrates online via KTX.ph. Non-competition feature films get first ever screening